Outline · Anchor Points

A poster built from Bézier paths. White tubes, red anchor points, handles pulled outside the curves. Green letters run off the edges of the frame.

Outline · Anchor Points

Why this week's poster

I wanted to show the skeleton of a letter.
Every letter is a set of paths.

Anchor points.
Handles.
Curves.

I built them as physical parts.
The word fit: outline.

The paths trace the edge of every letter.
Handles sit outside the shape they control.
The letters run outside the frame.

The build

  • Objects. Bézier paths modelled as white tubes. Red glossy beads mark the anchor points. Straight rods form the handles. Small collars cover the joins.
  • Letters. Letters from the word outside, scaled large and rotated. They overlap each other. The biggest forms bleed off the left and right edges.
  • Colour. Flat green fills. White type. Pink where the type overlaps the fill. Navy to charcoal behind.
  • Lighting. Soft, even light across the fills. Gentle highlights run along the tube edges. The background lifts at the top and falls dark at the corners.
  • Texture. Satin white tubes. Glossy red points. Green with a slight gradient across each form.
  • Type. White grotesque. Outside is set twice, top right and bottom left. Each setting breaks after outs and turns 90 degrees. Date and URL sit small in the corners.

What worked

  • The tubes read as real objects, not outlines.
  • The red points give each curve a clear start and end.
  • Pink overlaps stand out against the green.
  • Cropping the letters at the edges pushes the scale.

What I'd push next time

  • Handles on every curve, not only the large ones.
  • A second material pass on the anchor points.
  • A motion test: drag a handle and watch the letter change shape.

Close

Every letter carries its own points.
This poster shows them.
Read the word, then follow the paths.

Two copies of the Outline poster overlap on light grey, green letters traced with white paths and red anchor points